Star trek spaceship movie#
The colors in his Blu-ray reissue were miserably washed out, so he had to refer to old movie stills to get the richness of the nebula just right. The Starship prototype descended under active aerodynamic control, accomplished by independent movement of two forward and two aft flaps on the vehicle. He also has no problems with Abrams' controversial design for his computer-generated Enterprise.) Another challenge was the scene from Wrath of Khan. (He understands, but seems to discount, purists' complaints that the Enterprise doesn't belong in water. He averaged about eight hours on each composite, though the shot from the beginning of Into Darkness where the starship rises out of water took closer to 12. "Every shot has a sort of texture, dirt that's almost microscopic," Acosta says, explaining how he had to balance the lighting, blend colors, and-sneaky sneaky-flip some images. It wasn't easy-the angles had to match, and the fluorescent lighting in the press shots wasn't ideal-but Acosta eventually found eight scenes from Star Trek’s cinematic history. Acosta realized he could snip the Enterprise from those images and stitch it into shots from the Star Trek movies.
Star trek spaceship professional#
Thanks to Nick Acosta, a professional illustrator and concept artist in San Francisco, the One True Enterprise of 1965 can be seen in a variety of cool settings, including that '79 scene Acosta calls "one of my favorite effects shots of all time."įor a press event, the museum provided a bunch of hi-res photos of the model. Well-and maybe you suspected this was coming-we finally can.
But it's 2015, and it'd be cool to see Jefferies' beloved original basking in the glare (if not the Abramsian lens flare) of modern visuals, like those groovy neon streaks that signaled warp-drive engagement in 1979's Star Trek: The Motion Picture. Star Trek’s creators had to rely on cheaper methods, like verbal cues (Kirk announcing the warp factor) or goofy tricks (that semi-transparent flickering in "The Cage"), to tell viewers the Enterprise was traveling faster than light. Of course, that's due to TV budgets and special effects being what they were-or weren't-in the '60s. When it jumped to warp, nothing much happened at all. But here's a sad thought: You know the Enterprise from the original Star Trek series, the one everyone fell in love with? The blueprint from which all future Enterprises were built? The classic studio model by art director Matt Jefferies that served Gene Roddenberry so well until it was replaced by one from Industrial Light & Magic? In other words, the One True Enterprise? It never got to blast off like that. Abrams' USS Enterprise explodes into space, its blue-white contrails leaving interstellar streamers in its wake, your whole being rejoices. Say what you will about Star Trek Into Darkness, but the warp effects in that movie are irresistible.
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